![]() While the first game was content to be GTA: San Andreas with GPS and the second was happy to distract you with endless, somewhat scatological side-quests (hosing down buildings with sewage springs, grimly, to mind), the trilogy ends with a story that, while never less than utter lunacy, does hang together. Where the game stands out over its two predecessors is in its surprisingly compelling narrative. ![]() The third instalment in THQ's madcap sandbox crime caper is never going to win any awards for subtlety or sophistication, yet its madcap, ultra violent gameplay and genuinely witty dialogue make it one of the most blinging jewels in OnLive's crown. He's unpredictable, and offensive to just about everybody (especially women), but blessed with an ineffable charm and a twisted sense of humour. ![]() ![]() To use a Goodfellas analogy, if GTA IV is Ray Liotta's Henry - a troubled, conflicted mobster - then Saints Row: The Third is his degenerate, psychopathic partner Tommy. ![]()
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